VIEW IN MY ROOM
United States
Mixed Media, Colored Pencil on Recycled Chipboard
Size: 8 W x 10.5 H x 0.1 D in
Ships in a Box
Shipping included
14-day satisfaction guarantee
Artist Recognition
Artist featured in a collection
This piece is part of a series of drawings created on chipboard, the material used to support the paper bound in sketchbooks and pads of drawing paper. My drawing students often leave behind this backing material when their drawing paper pads are empty. The material is sturdy; has a rich, earthy color; and is a smooth surface to draw on. I also select it because the chipboard from the back of pads of drawing paper saved after the important contents they housed are gone signify a support system for items worthy of protection or containment, asking where society places value. My process for creating the work is this: a graphite grid is drawn on the chipboard, and the rectangles in between the graphite lines are filled with colored pencil or imitation gold leaf. I intentionally leave the binding edge on the chipboard. I find beauty in the repetition, rhythm, and precision of the small circles.
Original Created:2019
Subjects:Geometric
Materials:Recycled ChipboardImitation Gold Leaf
Mediums:Colored PencilGraphite
Mixed Media:Colored Pencil on Recycled Chipboard
Original:One-of-a-kind Artwork
Size:8 W x 10.5 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
Have additional questions?
Please visit our help section or contact us.
United States
Maureen Nollette currently lives and works in Michigan (USA). Nollette’s work investigates unjust social constructs in a broad sense. The artist’s work has been included in exhibitions across the United States and China. In addition, her work is collected by prominent private and public collections including Detroit Institute of the Arts (Detroit, MI); Yves St. Laurent (New York, NY); MGM Mirage Hotel (Las Vegas, NV); j. jill Group (Tilton, NH); and Gerald R. Ford International Airport (Grand Rapids, MI). Nollette’s practice employs mundane objects to create drawings, paintings, and relief sculptures. She explores this arena by engaging in labor-intensive tracing, stitching, pinning, and painting; sometimes massing seemingly frivolous materials for careful and intimate consideration. The grid, a precise and consistent armature representing societal infrastructure, contrasts the imperfection of Nollette’s slow, deliberate, rhythmic methods. The traced forms from flattened cardboard boxes saved after the important contents they housed are gone signify a support system for items worthy of protection or containment, asking where society places value. This critique via pattern, shape, color, and scale rejects the temptation to support our idea of what may be labeled merely ornamentation. Abstracted references to topography, textiles, and tiling assume key signifiers of underpinning labor, work frequently executed by overlooked and undervalued individuals. Nollette hopes to reveal our biased social infrastructure, permitting change.
Artist featured by Saatchi Art in a collection
Thousands Of Five-Star Reviews
We deliver world-class customer service to all of our art buyers.
Global Selection
Explore an unparalleled artwork selection by artists from around the world.
Satisfaction Guaranteed
Our 14-day satisfaction guarantee allows you to buy with confidence.
Support An Artist With Every Purchase
We pay our artists more on every sale than other galleries.
Need More Help?