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Portugal
Mixed Media, Ink on Pressed Cardboard
Size: 27.6 W x 28.3 H x 0 D in
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The work in question represents a complex fusion of Baroque aesthetics and ready-made sensibilities. The work effectively bridges the gap between the ornament of the past and the contemporary reinvention of the artistic object. This collage represents not merely a reinterpretation of the classic theme of still life, but rather a statement about the capacity of art to transcend temporal boundaries, adapt to diverse contexts, and challenge prevailing expectations. The combination of Baroque sensibilities and ready-made aesthetics prompts the viewer to reflect on the concept of style.
Mixed Media:Ink on Pressed Cardboard
Original:One-of-a-kind Artwork
Size:27.6 W x 28.3 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Portugal.
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Portugal
"There is hope in honest error. None in the icy perfection of the mere stylist." C.R.M. The collection presents a compelling case for the feminist and hermaphrodite sensibility of the designer and architect. The complexity of each drawing is derived not from the forms used, but from the materials employed: paper, refillable pens, diluted pigments and collages (assemblages). On occasion, I utilise a contrasting material, yet I still espouse a methodology that is both ecologically and environmentally clean, reflecting the process involved in creating the various collections. The process of creating a drawing can be compared to the construction of an architectural project or a musical composition. It has its own conceptual phases, which can be compared to the creative processes of an architectural project or a musical composition. Alternatively, it may choose to remain at a particular stage. The materiality and temporality of each work are analysed. Furthermore, the concept of "style" (as a methodology) is not sought, as it is perceived as a limiting factor in the representation of ideas. Conversely, my experience in architecture allows me to create works as projects, applying the methodology of building with preferably ecological materials.It is also important to note that there is another aspect of my work that explores architectural design as conceptual objects. In this context, I question the concept of imitating nature (bio-mimicry) in the creation of public buildings or civil utility buildings. My collection of drawings, entitled Tomos, confidently and warmly explores the relationship between the quality of art in the 21st century and the resources used to create it. It is also important to note that there is another aspect of my work that explores architectural design as conceptual objects. In this context, I question the concept of imitating nature (bio-mimicry) in the creation of public buildings, civil utility buildings and/or monumental sculpture. My collection of drawings, entitled Tomos, confidently and warmly explores the relationship between the quality of art in the 21st century and the resources used to create it.
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