VIEW IN MY ROOM
United States
Painting, Oil on Wood
Size: 24 W x 24 H x 3 D in
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Composed using all of the letters in Shakespeare's Sonnet 116: Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O, no! it is an ever-fixed mark, That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth’s unknown, although his height be taken. Love’s not Time’s fool, though rosy lips and cheeks Within his bending sickle’s compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved.
Original Created:2020
Subjects:Typography
Materials:Wood
Styles:AbstractConceptual
Mediums:OilPaint3D Sculpting
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:24 W x 24 H x 3 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Originally from California, David was raised by New Yorkers in San Francisco and Los Angeles, and studied fine art, graphic design and computer science at at Cal Poly in San Luis Obispo. There, he began studying landscape and figure painting, working regularly in both watercolor and oil pastel. Since moving to New York in 1999, David has painted in oil and acrylic, incorporating 3d printing, mathematics and scientific principles into his work. He has exhibited around the country and his work is in private and corporate collections. He works professionally as a 3d and environmental designer. My current work is an ongoing exploration of the borders between traditional art practices and elements of design, technology, science and mathematics. I enjoy the visual languages inherent in each of these interests; art history as an aggregate of thousands of years of representation, letterforms as brushstrokes of language, layering as a palimpsest of life lived, simple algorithms that give rise to complex forms in nature. I find that the convergence of these influences yields novel hybrids; combining abstraction and figuration, 2d and 3d space, chaos and repose, signal and noise.
Artist featured by Saatchi Art in a collection
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