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United Kingdom
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Fine Art Paper
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9 x 12 in ($40)
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White ($80)
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Artist featured in a collection
Bull riding Bob Hatfield riding Tar Baby at Nocona. This ultra limited edition stencil and screenprint is bold, graphic and ready to frame. Sometimes the best thing you can do in life is take a risk, just hold on tight and see what happens. A fantastic image of someone ready to confront a challenge. Tip your hat in appreciation. Softer background shades of Texas, with a bold bull rider in the foreground. A colour register at the bottom shows the range of satin, matt and metallic paints and inks used. All prints are completed A2 (approx. 59cm x 42cm) on 300gsm bright white card, using waterbased inks and acrylic paints. They are all individually hand stencilled, manually screened, embossed and come backed on cardboard and sealed in a cellophane slip. International deliveries will be sandwiched between tissue paper and rolled in a large diameter cardboard tube.
Print:Giclee on Fine Art Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
Dylan grew up and studied in New Zealand, where he created large ‘paste-up’ pieces and developed a love for the graphic qualities of photocopy, and screen-printing. He moved to Scotland and taught in the Lothians before leaning back towards developing his own practice. More recently his small batch, hand-produced pieces have gained a pop vibrancy, both in colour and imagery. Current works predominately use a variety of over-printing techniques with stencil blocked spray-paint as a base. Spraypaint is his number one medium, offering endless possibilities for creative layering, especially in conjunction with silkscreens. His collectable numbered editions (on paper), the stencilled and paste-up street art, and re-worked vintage one-offs that he produces cover a wide range of subject matter and themes. He uses images of well-known locations, architecture, nature, pop-culture, typography, street art, and vintage magazines/comics to make graphically hand cut pieces for his collectors, and the public. His works are easily recognised by the colour key in the margin, which show the individual colours used and number of layers that have been built up. “My mind breaks everything into a series of block-layered colours. I enjoy focusing on the graphic geometries of images, their registry points, and look at all compositions as a series of colour strata. Collating, and playing around with; old postcards, vintage art, comics, and pop culture imagery, gives me a starting point for compositions, a place to drop my craft-knife into, old-school analogue hand-cut stencils”.
Artist featured by Saatchi Art in a collection
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