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10 x 10 in ($40)
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White ($80)
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Chaos - The New Political Principal of Governing This head represents the the kernels of chaos in this governing process. * Partisanship over leadership * Blame everybody else for every problem * Blame everybody else for your inability to govern * Fight with all trading partners claiming USA is being hurt * Participate in the cover up of collusion of election fraud * Fight with everybody that does not agree with you * Pull out of world cooperating organizations * Accuse the investigative bodies of picking on him * Use hate and division to appeal to his base * Suppress the right to vote * Daily false statements * Inept ability to control democrats * Ignore the preponderance of evidence from his experts * Support white supremacy to appeal to 38% base * Do not read about facts just listen to Fox TV * Conceal private conversation with Putin * Build a medieval wall and be obsested with immigration * Please Putin, please Ann Colter and Rush Limbahl * Give Serbia to Russia * Ignorant obstinence to solving problems * Fire Comey, Fire Sessions, Fire Matus, Fire Kelly * Split personality disorder with petulant behavior * Uninterested in helping average American people * Exit Iran accord * Exit Paris accord * Exit NAFTA If this sculpture interests you there is much more on this site. Go to the upper right top and enter "Arfsten sculpture" in the search box to see many styles and themes of my work.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
I have an ambitious approach to life ... and to art ... make something happen every day ... but most of all have fun doing it! A sculptor first, and now working in 2D, I do my best to do just that. Presented here are examples of some of my work. •• My sculpture runs the gamut from abstract, to figurative, to architectural. The materials and methods used are diverse ... from figures modeled in clay or wax, then cast in pewter or bronze ... to aluminum maquettes (produced by evaporative pattern casting) which serve as the 3D blueprints for the pieces that are enlarged and fabricated from sheet metal of all kinds. •• My 2D pieces range from abstract to figurative. You’ll find Originals done in oils or acrylic, one-of-a-kind monotypes, collages, mixed media paintings, and more ... I love working in all mediums. Some of my 2D work may be available as reproductions on this site. ••• MY FASCINATION WITH SCIENCE FICTION & MAKE BELIEVE - When I was in second grade, television was new and the hottest thing. The "Adventures of Flash Gordon" was my favorite program. There was only one kid in the neighborhood who had a TV. We, all the kids, gathered at his house for every episode. I was a huge fan of the characters. Flash was cool and my hero. Dale Arden was OK but Princess Aura was way cooler because she was naughty. Ming The Mercilous was very interesting. But Dr. Zarkov and his super duper telescope - that could see into time forwards and backwards, far and near - was the star of the show for me. The spaceship was really hoakey. You could see the wire that it was traveling on and the little puffs of smoke coming out of it were a joke, even for me. But the concept of the show was magical. Also at that time there were radio shows about space travel and aliens and monsters. I would listen to those shows with my grandfather as I sat on the floor next to the big wooden box radio so I could get the full impact of the sounds. •• These shows inspired me to draw spaceships, mostly "new and improved" versions of Flash's ship. I taped them all over my bedroom walls. At night I would travel with Flash. We would go to distant parts of the Universe and explore ancient ruins - like what I saw in National Geographic when I was not looking at the bare-breasted girls of exotic cultures. (I think artists and sculptors, are to a large part, voyeurs.) Those memories pop up in my art over and over. •• Faces also intrigue and inspire me.
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